Others are much more creative, like the Happiest Mask, which spawns a friendly ghost each time you kill a foe, or The Ol’ Lopper, which guarantees critical hits against enemies on low health. Some of these are pretty simple, like the Lens Maker’s Glasses, which give your attacks the ability to critically hit, or the Bitter Root, which increases your health.
As you explore the planet, you’ll collect items that all contribute to making you a walking death machine.
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Should you make it back to the ship in one piece, you’re free to escape – just as soon as you beat Providence, the godlike being who brought down the ship in the first place.įortunately, you’ll most likely have some godlike powers of your own by this stage to put you on even footing with Providence. To escape, you have to travel through all manner of dangerous environments, from the fiery Magma Barracks to the Sky Meadow, which could almost feel peaceful if it weren’t for all the things trying to kill you. In Risk of Rain, you play as a nameless survivor who finds themselves stranded on a hostile alien planet after a transport ship gets attacked. Related reading: Game Theory on what the roguelike means to the human condition. Risk of Rain, from Hoopo Games, does this perhaps better than any other game you’ll start with nothing, reach becoming seemingly unstoppable within an hour, and then get overwhelmed, only to do it all over again. The roguelike genre, in its modern, post-Spelunky incarnation, has achieved something remarkable: taking the epic journey from a first level peon armed with a blunt wooden sword to a big, badass warrior decked out in the most inconceivably flashy armour, and distilling that down into play sessions typically lasting only an hour or two.
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